Three Days Dead

This is a repost of a playlist composition I want to share with some classes. I'm posting here an audio mix of the playlist and the textual mix below. Prompted by the phrase "was dead three days," the story is about missing time.

Three Days Dead

" One Tree Hill " U2 ( lyrics )
The story begins today, steeped in references to our shared memories. The black center of The Heart of Darkness and the songs of folk found in Jara’s music trick us into thinking these are only our struggles. But the tale leans back, archetypal, toward the symbolic scene.

" Babylon " David Gray ( lyrics )
Three days bind the story. Its deeper movement starts with anticipation.
An eager descent softened by hope:

Friday night I'm going nowhere / All the lights are changing green to red

A blessed mistake.

Only wish that you were here

You know I'm seeing it so clear
I've been afraid

To tell you how I really feel

Admit to some of those bad mistakes I've made

The long passage back.

Turning back for home

You know I'm feeling so alone

I can't believe

Climbing on the stair

I turn around to see you smiling there

In front of me

" Sympathy For The Devil " The Rolling Stones ( lyrics ; Salon piece )
This big picture plays out in close up, the curtains rich burgundy, velvet and deep as blood. Not fabric, but membrane screen image flickering as grey light comes up from the back of a stage. The lit grey screen contracts into a tight circle and swings off stage to the woman, wracked. The light swings back, center stage. The dead.

So if you meet me
Have some courtesy
Have some sympathy, and some taste
(woo woo)
Use all your well-learned politesse
Or I'll lay your soul to waste, um yeah
(woo woo, woo woo)

The dead shimmer as the man extends his arms and gathers them, shapelike, collecting them like clouds dissipating in summer sun. He breathes deep. Looks off stage. The light dilates, brightens, and swings with his gaze, highlighting the woman. Her face is framed at the bottom by fingers, steepled over lips. Eyes closed with thought. Brow set, wrinkled. He looks to the light. Turns.

" In The Garden " Van Morrison ( lyrics )

The streets are always wet with rain
After a summer shower when I saw you standin'
In the garden in the garden wet with rain

You wiped the teardrops from your eye in sorrow
As we watched the petals fall down to the ground
And as I sat beside you I felt the
Great sadness that day in the garden

His fingers curl over the back of her hand. Nerves race up his side and fire up his face. He radiates. She breathes, opens her eyes. He’s fixed. She too.

And as it touched your cheeks so lightly
Born again you were and blushed and we touched each other lightly
And we felt the presence of the Christ

And I turned to you and I said
No Guru, no method, no teacher
Just you and I and nature
And the father in the garden

The man awakens. He stretches, expectant. Remembering the garden. Sunday. Ascendance. The morning light warms the side of his face. Questions. The circle of light surrounding him on the empty stage expands and all around him the dead. He squints toward the sky. The morning sun makes no sense. Three days and still he sits among bankers, butchers, mothers, fathers, sisters, sons, the lost souls of the darkened world. Sunday’s past and something’s wrong: “They call it stormy Monday but Tuesday’s just as bad.”

" Stormy Monday " Eva Cassidy ( lyrics )

" Black " Pearl Jam ( lyrics )
The sadness smacks personal and profound. Lured by pain and beauty to betray the world, he feels now the loss and fingers at his own soul like a sore, remembering. That joining. That giving, that, allowed just an instant, instantly changed forever.

And now my bitter hands shake beneath the clouds
of what was everything?
Oh, the pictures have all been washed in black--
tattooed everything.

" Pacing the Cage " Bruce Cockburn ( lyrics )
Reflection comes much later and brings with it nothing more than the slow turn of the proverbial screw. The unjust judge and the pearl of great price. He wanders the timescapes of the past, stepping into this very present. The rusted ships, scuttled on distant shores and waiting to turn to scrap. The lights of cities, biting and empty in their brilliance. The thrum of the engine soundtracked beneath the song of the lark. He wonders aloud, how is it that you’re just now “finding yourself in a place that you've willingly waltzed into. Suddenly, you realize it's not such a good place to be, and it's hard to find your way out, hard to know where the next step is supposed to go.”

" All Along The Watchtower " Bob Dylan ( lyrics )
Swiveling days compile their despondencies and urgent little victories. An adoption in Armenia. Plundering in Mertz. A library in Egypt. A Caldera vaporizes a village. A man has a dream. Resigned, he turns toward each event, draping shawls over corpse and cold soul alike. Lowering and lifting to the timeless rhythm of the rise and fall. More, he finally cries. I now need nothing more.

Outside in the distance a wildcat did growl,
Two riders were approaching, the wind began to howl.

" Across The Universe " The Beatles ( lyrics )
The sound of horse’s hooves rises from the edge of the stage in clops like gentle rain. The ebbing and flowing circle of light that baths the man swells to full brightness and the two riders join the scene—the woman and the father, smiling. Musical feet fill the gaps as the horses stop, and with each beat figures step on the stage. Teachers. Farmers. Runners. Writers. Young and old, they step forward like members of a choir and mouth the sounds that change the world.

Jai guru deva om
Nothing's gonna change my world,
Nothing's gonna change my world.
Nothing's gonna change my world.
Nothing's gonna change my world.

" With or Without You " (live) U2 ( lyrics )
As the crowd gathers on stage, another sound swells from behind. A whistle. Clap. Clap. Whistle. Clap. Looking out he sees more souls pouring in from doorways and climbing down from the rafters. The days, he understands, have nothing to do with the scattered sequences of noon and night. The days instead have played out over these millennia in each ragged cough and lover’s cry. Three days dead, he understands he’s not alone and he “give[s himself] away”

My hands are tied
My body bruised, she's got me with
Nothing to win and
Nothing left to lose

And you give yourself away
And you give yourself away
And you give
And you give
And you give yourself away

She takes his hand. The sound turns smoky and swirls over the scene. It surrounds the man and the woman and slowly lifts them, as if on filaments of thought, invisible and rising skyward.

We'll shine like stars in the silver light
We'll shine like stars in the Christmas night
One heart. One home. One love.